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-The technique of expressing one's will by holding objects shows that the whole poem expresses one's aspirations and feelings through the concrete thing of "falling red", ostensibly describing the destination and value of falling red flowers, but in fact expressing one's grand ambition of being willing to contribute despite setbacks and eager to exert afterheat for the country and society, which makes the poem contain extremely rich and profound connotations in a short space and enhances the artistic appeal and ideological height of the poem.Dedication and self-transcendence motivationIn a word, the poem "Falling red is not a heartless thing, but turning into spring mud will protect flowers more" is like a bright lamp, which illuminates the direction for us on the road of inspiration and inspires us to face life with a positive and optimistic attitude, dedication and persistence at all stages of life, to create our own wonderful things, and to make life bloom with eternal brilliance in the ever-changing value.

Cycle after cycle, cycle after cycle.Artistic conception creation levelCycle after cycle, cycle after cycle.

Significance of the timesImage and ideographic level-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.